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INVERSIONS OF THE DOMINANT SEVENTH CHORD |
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In Figuring the Second Inversion of the Dominant Seventh Chord in Minor Scales, the Chromatically raised Third of the Chord is indicated by a #, in connection with the |, making it, as usually written, t, the stroke through any Figure requiring the indicated member to be Chromatically raised. In Figuring the Third Inversion it will be written * for the same reason. |
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